2012亞太戲劇院校戲劇節暨高峰論壇

工作坊：當棉蘭老傳統舞蹈（Pangalay）融入當代劇場

Transcreating the pangalay for contemporary theatre

簡介：

「棉蘭老傳統舞蹈」是菲律賓最貼近傳統的舞蹈，它的音樂和舞蹈的形式在南菲律賓流行而普及，蘊含的語彙能表達傳統與當代議題的內涵。這種形式將菲律賓的舞蹈及表演文化，連結到東南亞的文化母體。由於源自於他們本身的文化，比起取材西方風格，更能充分表達亞洲人的倫理與思維。本工作坊能讓參加者體驗棉蘭老傳統舞蹈的基本動作，並加以組合運用，進而賦予文化素材和劇本意涵。

The pangalay is the Philippines’ closest claim to classical dancing. Its form in both music and dance being popular and widespread in the Southern Philippines contains idioms that can express meanings for both traditional and contemporary subjects. The form links Philippine dance and performance cultures to a larger South East and Asian cultural matrix. Forms that originate from their cultures can more properly express Asian ethics and themes than borrowed forms taken from Western idioms. The workshop allows participants to experience the basic stances of the pangalay and use these stances in combination to produce meaning from cultural materials and scripts.

講師介紹：

LEILANI MONTEROLA-FERNANDEZ參加過菲律賓重要舞蹈教師Steve Basilio Villaluz和Denisa Reyes的工作坊，師承Rene Honijales的俄派芭蕾技巧（Vaganova），也向Cary Ballet學校的Juliet Malit學習過現代舞。目前為IPAG的舞蹈團成員，過去十五年間跟隨劇團表演，在各國際藝術節間的成功作品中演出。長期和IPAG合作之下，培養他以Pangalay為基礎的舞蹈訓練（由Ligaya Fernando-Amilbangsa傳授）。在Connie Lo-Noval長期指導下，她持續在AJT工作室教授芭蕾舞。她在IPAG的編舞作品有《Suhi》、《Gaia》、《Origami》、《SugaTula》中的詩篇段落，還有包括在《Uwahig》、《來自棉蘭老的故事》及《Tatlo Sa Isa》中的群舞。

LEILANI MONTEROLA-FERNANDEZ attended the choreographers’ workshops of leading Philippine dance pedagogues Steve Basilio Villaluz and Denisa Reyes, of the Vaganova techniques instructed by Rene Honijales, and modern dance from Cary Ballet’s Juliet Malit. Presently with the IPAG’s Choreographers Pool, she has performed with the Guild in the last decade and a half joining IPAG’s triumphant performances in international festivals. Her long stint with the IPAG has nurtured in her the IPAG dance disciplines based on the pangalay (handed to it by guru Ligaya Fernando-Amilbangsa). Under the long tutelage of Connie Lo-Noval, she continues to teach ballet at the AJT studio. In the IPAG, she choreographed Suhi, Gaia, Origami, the poetry in SugaTula, including choreographed collaborations in Uwahig, Tales from Mindanao and Tatlo Sa Isa.

MELVIN P. PASCUBILLO在1991年加入IPAG，幾乎在所有重要作品以及國際巡迴演出中擔任主角。曾經為IPAG幾個重要作品編舞，並且參加無數的編舞和舞蹈工作坊，更參與無數國內外舞蹈和劇場訓練課程。

MELVIN P. PASCUBILLOjoined the IPAG in 1991 and has danced and acted in lead roles in most major productions and international road shows. Having choreographed major IPAG productions, he has joined numerous choreographers and dance workshops (under Denisa Reyes, Steve Villaruz, Rene Hinojales, and Connie Lo-Noval) and has facilitated innumerable dance and theatre training programs around the country and abroad.