2012亞太戲劇院校戲劇節暨高峰論壇

編導：蓬哈特教授與朱拉隆功劇場藝術系學生共同創作

Director & Playwright: Prof. Pornrat Damrhung in collaboration with students of Department of Dramatic Arts, Faculty of Arts, Chulalongkorn University.

編導簡介：

蓬哈特教授是朱拉隆功大學藝術學院的劇場藝術研究所主任。過去二十年間，她嘗試以研究及舞台作品探尋出將傳統的東南亞表演者、故事、舞蹈以及音樂，融入現代演出，以期能引起現今觀眾共鳴的方法。無論於國內外，她都曾獲得許多捐款及研究獎金，近十年來，更常於海內外各地搬演自行創作或與其他人合作的作品。除此之外，她也進行許多其他領域的創作與教學，像是泰國傳統舞劇、木偶戲、設計、青少年劇場以及文化管理等。她也在泰國及其他國家的研討會上，發表過關於搬演或教學泰國傳統舞劇的過程中，如何確保其中旺盛續航力的新方法，並以英文及泰文出版了許多與上述領域相關的文章及專書等著作。

Profile: Pornrat “Khru Oui” Damrhung is chairperson of the master’s program in dramatic arts at Chulalongkorn University's Faculty of Arts.  For two decades, her research and stage work has sought to discover new ways to integrate traditional Southeast Asian performers, stories, dances, and music, into contemporary performances able to move today's audiences. She has received many grants and fellowships in Thailand and abroad, and in the last decade, has staged or collaborated in staging many productions in Thailand and other countries. Among her other areas of work and teaching are classical dance drama, puppetry, design, theatre for young people, and cultural management. She has also presented many papers at conferences in Thailand and around the world that have dealt with new approaches to teaching and staging classical dance drama in ways that will ensure its thriving survival, and published many articles and several books in Thai and English on these topics.

導演   Le Quy Duong

Le Quy Duong於1990年，從越南國立戲劇暨電影大學得到藝術學士學位，當時主修的是戲劇評論；隨即於1994年到澳洲繼續向上攻讀戲劇導演藝術，並且於1998年從澳洲國立戲劇藝術研究所得到畢業文憑；然而Le Quy Duong卻從沒有停下學習的腳步，他同時也在2003-2004年間從洛杉磯好萊烏電影學校得到電影導演的學位。自畢業之後的二十年間，唐先生對於國際藝術上的發展與各國之間的文化交流皆做出了重大的貢獻，尤其是透過他主持的VACEP越南藝術文化交流計畫才進而促成了澳洲、越南、英國、法國與美國之間的頻繁藝術交流。

Profile:

Duong first arrived to study in Australia in 1994. He graduated with Bachelor of Arts in Theatre Criticisms from Vietnam's National University of Theatre and Cinema in 1990 and with a Graduate Diploma of Dramatic Art in directing from Australia's National Institute of Dramatic Art in 1998. He also graduated in Filming Directing from the Los Angeles Film School in Hollywood, CA, USA in 2003-2004. During the last twenty years, Duong has made the vital contribution to the development of international arts and cultural exchange, especially between Australia, Vietnam, UK, France and US through his VACEP in australia, Lequyduong Pty. Ltd and My Phat Pty., Ltd in Vietnam.

編劇：Le Duy Hanh

Playwright: Le Duy Hanh

編劇簡介：

 Le Duy Hanh先生是越南國內眾所周知的重量級劇作家，他曾經因傑出的戲劇創作成就，榮獲越南政府頒發國家獎章。他的戲劇作品包含許多實驗性質與創新的元素，本齣戲劇正是最能夠突顯單一表演者型態魅力的劇本。

Profile:

Mr. Le Duy Hanh is one of the most well-known playwrights of Vietnam. He was award a National Medal of Vietnam Government for outstanding achievement in playwriting. His works are claimed for highly experimental and innovative theatre. “Dien Kich Mot Minh” is one of the most prominent plays for one performer.

導演：瑞卡多‧厄拜德

Director: Ricardo Abad

導演簡介：

社會學家、劇場創作者，這兩種領域他都專精。他取得福特漢姆大學社會學博士的學位後，隨即在雅典耀大學執教。隨後，加入了菲律賓文化中心的菲律賓劇團，經常在提尼歐與盧昂欣執導的古典劇目裡擔任演員。1984年，他成為「Tanghalang Ateneo劇團」的藝術總監，這個劇團的成員多為雅典耀大學的學生。在他的帶領下，成為國內頂尖的劇團之一。厄拜德的許多作品，特別是世界名劇的演出，往往透過社會學的角度觀察人與地方，串連菲律賓／亞洲與西方的表演形式，同時融合兩者，創造出新風貌。由於這些出色的製作以及社會學研究上的成就，使他獲頒許多獎項︰2001年菲律賓首都銀行傑出教學獎、2005年雅典耀傑出研究獎、2007年Aliw最佳導演獎、2009年菲律賓首都銀行持續頂尖與服務獎，同年由於他在人文領域的貢獻，獲得雅典耀終身成就獎。導戲之外，厄拜德在藝術學院教授導演，也在社會學系與人類學系教授研究方法。

Profile:

Ricardo Abad is a sociologist and theater artist, and the fusion of these two fields informs his everyday professional life.  Soon after completing doctoral work in sociology at Fordham University and starting out as a teacher at the Ateneo, Ricky joined Teatro Pilipino at the Cultural Center of the Philippines, acting mostly in classical plays under the direction of Rolando Tinio and Ella Luansing. In 1984, he became Artistic Director of Tanghalang Ateneo ,  a company he has nurtured to become one of the leading school-based theater companies of the country. Many of his projects, particularly productions of world drama, entail a hybrid of Filipino/Asian and Western forms linked by a sociological view of people and place.  These productions, plus his sociological achievements, have helped him earn the Metrobank Outstanding Teaching Award in 2001, the Most Outstanding Scholarly Work Award from the Ateneo in 2005, the Aliw Award for Best Director in 2007, a Metrobank Award for Continued Excellence and Service in 2009, and a Lifetime Achievement Award from the Ateneo in 2009 for his contribution to the Humanities. When not directing for Tanghalang Ateneo, Ricky Abad teaches directing at Fine Arts and research methodology at the Department of Sociology and Anthropology.

編劇：鈴江俊郎

Playwright: Suzue Toshiro

編劇簡介：

桐朋學園藝術短期大學教授，負責戲劇的主修課程。就讀京都大學時，就此跟戲劇結下不解之緣。1993年在京都成立八點半劇團（劇団八時半），現為東京office 白沼劇團（office 白ヒ沼）團長。鈴江的劇作高達五十多部，重要劇作如下︰《切成四角的直球》（『区切られた四角い直球』，獲得1989年Cabin戲劇獎）、《友人來訪》（『ともだちが来た』，獲得1995年OMS戲劇獎）、《凋落的水果》（『零れる果実』，獲得1995年蠶繭戲劇獎），以及《螢火蟲》（獲得1996年岸田國士戯曲賞）。大部分的劇作都由他親自執導。自編自導之外，他偶爾會在自作中客串演出。鈴江的劇作已有英文、德文、俄文、印尼文等譯本，也在日本以外的國家演出過幾次。「Tanghalang Ateneo劇團」與雅典耀大學戲劇及藝術系共同製作的《螢火蟲》，則是鈴江的劇作首度在菲律賓亮相演出。

Profile:

Suzue Toshiro heads the Drama Program of the Toho Art College of Drama and Music where he is also Assistant Professor.  He first encountered the theater while he was a student at Kyoto University, and in 1993 founded in Kyoto a theater company called the Hachi-ji Han.  He now leads another theater company in Tokyo called Office White Mountain.  Suzue has written over 50 plays, the principal ones being “Straight Fast Ball Divided into a Square” (Cabin Drama Award, 1989), “My Friend Has Come” (OMS Drama Award, 1995), Spilled Fruit (Theater Cocoon Drama Award, 1995), and “Fireflies” (Kishida Kunio Drama Award, 1996). He writes and directs almost all of his works and occasionally plays as an actor in them as well.  His plays have been translated into English, German, Russian, and Indonesian, and have been performed several times outside Japan.  The Tanghalang Ateneo/Ateneo Fine Arts production of “Fireflies” at the Ateneo de Manila is his first appearance in the Philippines.

編導：尼功‧世‧唐

Playwright & Director: Nikorn Sae Tang

編導簡介：

泰國八乘八劇團的導演、編劇及演員。畢業於曼谷法政大學，在法國賈克‧樂寇國際戲劇學校研習肢體動作，是2010年泰國文化部Silpathorn Award的表演藝術類得主，也獲得國際青年藝術家獎的肯定，該獎向來是泰國最具聲望的至高榮譽。

自2007年起，尼功於布拉帕大學擔任客座教授，教授表演與導演。最近，尼功獲得亞洲文化協會藝術家獎助金，將會在今年秋天到紐約待上半年時間。

Profile:

Nikorn Sae Tang is the director, playwright and actor of the “8x8theatre” in Thailand.  He graduated from the Thammasat University in Bangkok, Thailand and studied physical movements at the Lecoq School in France.  In 2010, the Office of Contemporary Culture and Arts (a branch of the Ministry of Culture) in Thailand awarded Mr. Nikorn Sae Tang the Silpathorn Award in Performing Arts, the National Young Artist Award, which is considered as one of Thailand’s most prestigious honors.  Since 2007, he has been a guest-lecturer in Acting and Directing at Burapha University. As the recipient of an Asian Cultural Council Artist Fellowship, he will spend six months in NYC from this fall.

編導：蘆昂

Playwright and Director: Lu Ang

編導簡介：上海戲劇學院導演系系主任、教授、博導。長期從事表導演藝術教育、創作及研究工作。已執導各類戲劇作品六十多部，其中包括話劇、音樂劇、歌舞劇、人偶劇、實驗戲劇以及廿多個不同劇種的中國戲曲。囊括了中國所有國家級舞臺藝術獎項，被授予「新世紀傑出導演藝術家」。盧昂教授創作研究的主要領域和方向為：中國傳統戲曲與西方現代話劇的相互融合與借鑒，出版導演專著有：《東西方戲劇的比較與融合》、《導演的創作》、《國際導演大師班》以及近百萬字的專業論文。

Profile:

Lu is a professor and chairman of Directing Department at Shanghai Theatre Academy in China. He has been active in the fields of directing and teaching of directing for a long time. Lu has directed more than 60 theatre works of different kinds, including modern drama, Western opera, dance theatre, puppet, experimental theatre and more than twenty different local genres of Chinese opera. Lu Ang has obtained all the awards in stage art issued in the People’s Republic of China, and he was awarded ‘the new century brilliant director’. The main field in which Professor Lu Ang studies and creates is fusion and comparison of eastern traditional theatre and western modern theatre. His monographs include Comparison and Fusion of Eastern and Western Theatre, Director’s Concepts, The International Master Class and other publications of nearly one million words.

導演     Michael Foster

麥可過去四年來以香港、深圳為基地。他於英國格拉摩根大學獲得表演藝術學位及新堡學院戲劇文憑，早期他專注於表演，與「UgLY劇團」在羅卡的el Publico巡迴及《魯克蕾奇雅‧寶佳》在倫敦的首演。他也在卡爾地夫教堂藝術中心製作實驗劇，並與新堡「北方舞台」劇團一起演出。現在他是香港演藝學院導演系碩士班學生二年級。

Profile:

Michael has been based in Hong Kong and Shenzhen mostly for the last four years. He has a BA Hons degree in Performing arts from University of Glamorgan (UK) and an HND in Drama from Newcastle College (UK). Earlier in his education he focused on acting and toured with UgLY Theatre company in Lorca’s El Publico and a London premiere of Lucretia Borgia. He has also practised in experimental theatre productions performing in Cardiff’s Chapter Arts Centre and performed with Newcastle’s Northern Stage ensemble. He is now entering his second year of the MFA Drama program majoring in Directing at Hong Kong Academy for Performing Arts.

導演     Lee, Rae Eun 

「月亮與小孩」劇團導演，韓國藝術大學教師。在韓國藝術大學取得青少年觀眾劇場的碩士學位。

Teacher, Director at Theatre Moon and Child

MFA in Drama/Theatre for Young Audience, School of Drama, KNUA

編劇：共同創作

Playwright: Collaboration

導演：塔比莎‧羅

Director: Tabitha Loh

導演簡介：

塔比莎是拉薩爾戲劇學院劇場表演系的二年級學生。她十分努力地想成為劇場導演，也積極投入許多製作中，如娜塔莉‧黑那蒂姬執導彼得‧韓客《Kaspar》的導演助理，以及與舞蹈和多媒體互動系跨界合作《Interweave》作品中的戲劇顧問。

Profile:

Tabitha Loh is a Level 2 student in the Theatre+Performance Programme in LASALLE Theatre School. She is interested in developing as a theatre director and has been involved in productions such as Peter Handke’s Kaspar as an Assistant Director to Natalie Hennedige, and in dramaturgical work in the cross-faculty collaboration with dance and interactive media, Interweave.

編劇：李瑪莉

Playwright: Marie Lee

編劇簡介：

黑澤明的《影武者》啟發了李瑪莉對劇場產生興趣。她高中就讀以傳統藝術訓練著稱的新加坡南洋初級學院，主修美術學程，現為拉薩爾藝術學院戲劇系劇場暨表演科的二年級學生。瑪莉立志成為劇作家，持續參與許多表演製作，其中包括知名導演Darren Yap所導演的音樂劇《摩登蜜莉》、由新加坡劇場人Tracy Pang執導、曾獲美國普立茲劇本獎肯定的《海蒂的傳記》（Heidi Chronicles）。

Profile:

Marie Lee’s interest in theatre was first sparked when she watched Kagemusha by Akira Kurosawa. She is a graduate from the Art Elective Programme (AEP) in Nanyang Junior College, which vigorously trained students in traditional art forms, and is currently a Level 2 student in the Theatre+Performance Programme in LASALLE Theatre School. Aspiring to be a dramaturge/playwright, Marie has been involved in productions such as the musical Thoroughly Modern Millie, directed by Darren Yap, and the American Pulitzer Prize winning play Heidi Chronicles directed by Tracie Pang.